tag:blogger.com,1999:blog-53643326393453884742023-11-16T11:19:25.559-08:00Art & DebateSurraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-5364332639345388474.post-62877960302064922592011-01-06T05:38:00.000-08:002011-01-06T05:38:54.978-08:00Salt Lake City Art Gallery ‘Promotes’ Immigration Discussion<style>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSf7xCbhxibdhyiVAlGEFcKnx4d6odqEpWqWnwEUsC3noOCdjeFj4r9wiDiMGe-QjVw5hbSQWrecOYUoBAOrfQS6ODFVOjrpf5tHxRTRO06buvAiUME9TqQ5dp8qc1bZVElYxZIAAwIBZk/s1600/Lucero.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSf7xCbhxibdhyiVAlGEFcKnx4d6odqEpWqWnwEUsC3noOCdjeFj4r9wiDiMGe-QjVw5hbSQWrecOYUoBAOrfQS6ODFVOjrpf5tHxRTRO06buvAiUME9TqQ5dp8qc1bZVElYxZIAAwIBZk/s320/Lucero.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jimmy Lucero, "Anchor Baby", 2010.</td></tr>
</tbody></table><div class="MsoNormal"><span lang="EN-US">Just in time for upcoming immigration reform in the Utah Legislature, a Salt Lake City based art gallery has put on display a new exhibit titled, ‘</span>Driven From the State: An Exhibit of Art and Ideas.’ The new art show includes the work of more than a dozen Utah artists who works hope to convey “compassion and reason to the debate” on immigration.</div><div class="MsoNormal"><span lang="EN-US">Though the exhibit has sparked controversy surrounding its forward stance on the hot-button issue of immigration, artists involved in the show hope that their works with convey an understanding and open discussion about this issue. The gallery has defended the exhibit stating that art can be a rational means of discussing this topic. </span></div><div class="MsoNormal"><span lang="EN-US">I have to say that I find the art show is an inventive and effective way of taking a stance on this issue. By using art as a means to openly discuss this controversial topic, those unsure of their position can begin to see another side of the debate. Take a look at an image of one of the paintings included in the exhibit.</span></div>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0tag:blogger.com,1999:blog-5364332639345388474.post-41679021969626132542011-01-06T01:24:00.000-08:002011-01-06T01:24:35.682-08:00“Hide/Seek” Exhibit at the Smithsonian National Portrait Gallery<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz6p_pRHO9EpkirAm6dNidTl9bFYe_eqAutOd3bIDZeCe3LypxPng_D4m0Ni87OygJyPp-wC3jMOOzfcuE0vHsba3EHmPM0L_z11AXLgAX2TcD2X7KJB8kgS5cPhkv3yNcnP_wz0w4Oroo/s1600/Screen+shot+2011-01-03+at+19.07.03.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz6p_pRHO9EpkirAm6dNidTl9bFYe_eqAutOd3bIDZeCe3LypxPng_D4m0Ni87OygJyPp-wC3jMOOzfcuE0vHsba3EHmPM0L_z11AXLgAX2TcD2X7KJB8kgS5cPhkv3yNcnP_wz0w4Oroo/s1600/Screen+shot+2011-01-03+at+19.07.03.png" /></a><style>
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</style> <span lang="EN-US" style="font-family: Cambria; font-size: 12pt;">Controversy is still simmering after officials at the Smithsonian National Portrait Gallery in Washington D.C. recently decided to remove a piece of video art depicting Christ with ants crawling on him after complaints were received from a Catholic organization and members of Congress. The piece was included in the museum’s current exhibit titled “Hide/Seek,” which takes a look at sexual difference in the making of modern American portraiture.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhartqB1_OZ9SrbYTLZ1XpaKeF2tQxuIHnb_3pxGkbNcPlenjBcLjznjcpwYYjKhDn0hx8Q1rJ3IfIBkJj-J_975xYQ-yxO51VyF48LP3X-xiqa1iaVTET5eUqYSlA7GUeKZwUpnPzqoSOK/s1600/hide_seek+poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhartqB1_OZ9SrbYTLZ1XpaKeF2tQxuIHnb_3pxGkbNcPlenjBcLjznjcpwYYjKhDn0hx8Q1rJ3IfIBkJj-J_975xYQ-yxO51VyF48LP3X-xiqa1iaVTET5eUqYSlA7GUeKZwUpnPzqoSOK/s200/hide_seek+poster.jpg" width="150" /></a><style>
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</style> <span style="font-family: Cambria; font-size: 12pt;">The exhibit itself touches on a number of controversial topics including sexuality, gender, desire and romantic attachment. There is an equal amount of controversy surrounding the curators for including the piece in the exhibit, but now equally for having decided to have the video installation removed. National Portrait Gallery director, Martin Sullivan expressed disappointment following the decision saying, "Was it a great decision? Absolutely not."</span><br />
<span lang="EN-US" style="font-family: Cambria; font-size: 12pt;"> </span><br />
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</style> <i><span style="font-family: Cambria; font-size: 12pt;">Was </span></i><span style="font-family: Cambria; font-size: 12pt;">it a great decision? That is the big question surrounding the recent decision. I definitely think it was the wrong decision. Controversy and art has been a common theme for quite sometime. Does that mean that we should begin to censor all art exhibits in order to avoid controversy with all members of the general public? I definitely don’t think so. If we begin to censor exhibits based on the content contained there within, where does it end?</span><br />
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</style> <span style="font-family: Cambria; font-size: 12pt;">The whole situation surrounding this piece of video art reminds me of what recently took place in Paris at the Musée d’Art Moderne when a recent exhibit covering the photographic works of American photographer Larry Clark were banned to those under the age of 17 and featured a warning about the content of the exposition. The exhibit featured young teenagers engaging in sexual acts, drugs and in some cases violence. I by no means think the age limit for those under 17 was a good decision, but I feel that at least the entire exhibit was not censored because some may have found its content displeasing. There was quite a lot of controversy surrounding the Mayor of Paris’s decision to place an age limit ban on the exhibit, but I still feel that it was a better decision than what happened at the National Portrait Gallery.</span> <span lang="EN-US" style="font-family: Cambria; font-size: 12pt;"> </span><br />
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</style> <span style="font-family: Cambria; font-size: 12pt;">If we begin censoring the content of art exhibits, at what point do we stop? When is it too much? How many complaints are too many? And whose complaints do we listen to? In any case, if you have the opportunity to make it to the Smithsonian National Portrait Gallery, you should definitely go see this exhibit. And if you don’t like what you see, just remember that maybe you aren’t supposed to. </span> <span lang="EN-US" style="font-family: Cambria; font-size: 12pt;"> </span>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0tag:blogger.com,1999:blog-5364332639345388474.post-41690537332636273072010-11-22T02:30:00.000-08:002010-11-22T02:31:46.073-08:00Gruau and the line of beauty : between pure art and advertising<div style="text-align: justify;">Here is a good opportunity to go to London if you ever need one. René Gruau's work, the famous French illustrator, is showed at the Somerset House from november 2010 to january 2011. All his work is at the very thin line between art and advertising since it is mostly posters and drawings made for Dior. Here is my point : is it still art when it is used in commercial purposes ? </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh83PSx426V7fDlU3d-vMz0V21siwuWx9JrtBoN66OXD2fDasOXe_V_0Gcgj_hq9JYXBalrhtSm4ioOhhguw65yVRd8v_6app56tpq62CE7ujGu5wGjeMmqsYhQOrMUrQ2_DSAuxtN_F33/s1600/tumblr_ku97kmKqX11qawp7uo1_400.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh83PSx426V7fDlU3d-vMz0V21siwuWx9JrtBoN66OXD2fDasOXe_V_0Gcgj_hq9JYXBalrhtSm4ioOhhguw65yVRd8v_6app56tpq62CE7ujGu5wGjeMmqsYhQOrMUrQ2_DSAuxtN_F33/s200/tumblr_ku97kmKqX11qawp7uo1_400.jpg" width="157" /></a>By promoting elegance and charm, Gruau celebrates women like no one did before. He obviously expresses his very own view of what feminity should be. Beauty is never obvious but rather suggested, the line are precise but light. The talent of Gruau is to make us feel like every pieces of work is in perpetual movement, full of life !</div><div style="text-align: justify;"><br />
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</div><div class="separator" style="clear: both; text-align: justify;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHc9mvGh8WM4r4Lf_m96u-wcUzVTS1ydykbYh97l5xQDJMoTeXIWcNcDYRRlFdurlwrecTDjjIvBgvQDA3Kt4NuBJsaZdts06yP6CBqhqLhh24a_Ha6RhJ8Wga_ldRDekU9iE-xFjb0usS/s1600/gruau2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHc9mvGh8WM4r4Lf_m96u-wcUzVTS1ydykbYh97l5xQDJMoTeXIWcNcDYRRlFdurlwrecTDjjIvBgvQDA3Kt4NuBJsaZdts06yP6CBqhqLhh24a_Ha6RhJ8Wga_ldRDekU9iE-xFjb0usS/s320/gruau2.jpg" width="238" /></a></div><div style="text-align: justify;">Yet, his daring and his sense of freedom perfectly match the identity wanted by Dior. This exhibit is like a luxuous journey through Dior's values and vision. It shows seduction, it shows glamor, it shows a certain sense of adventure. The strenght of this work is beyond the only drawings : you have to look at what is not depicted but only suggested. It make us feel where the true inspiration comes from for both Dior and Gruau. But this exhibit is not only a tribute to Gruau's talent. It is also a way to celebrate a true friendship between two men, René Gruau and Christian Dior. The first one revolutionized the sense of aesthetics and the art of drawing. The second one revolutionized the silhouette and the sense of fashion. Both inspired each other. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Gruau's works seem to be out of time and that's why you will take a real pleasure to walk through the exhibit!</div>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0tag:blogger.com,1999:blog-5364332639345388474.post-64345186167350377692010-10-26T09:01:00.000-07:002010-10-26T09:01:01.724-07:00Gauguin's exhibit at the Tate Museum<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh15n3pZ5KfQ16MScW6cNadL28Hvw9D_BiUEJGCGzFQqN0UF-Luqnxes48ya4sglzLeN7vXQErQTnmEiNi3f0ufzlp_wZHzjSv5ou20dzMmHJKMmLS8Ex7FeY_AfDZS8EEAgbEOMoIiPQnw/s1600/bretagne-gauguin.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh15n3pZ5KfQ16MScW6cNadL28Hvw9D_BiUEJGCGzFQqN0UF-Luqnxes48ya4sglzLeN7vXQErQTnmEiNi3f0ufzlp_wZHzjSv5ou20dzMmHJKMmLS8Ex7FeY_AfDZS8EEAgbEOMoIiPQnw/s1600/bretagne-gauguin.JPG" /></a></div><br />
Was Arthur Gauguin only a scandalous man or a genuine artist ? One century after his death his paintings are showed in numerous places, especially at the Grand Palais in Paris and at the Tate Museum in London.<br />
Most people will only see the gift he had as a painter when seeing the exhibit. And they will be rigth ! I'm really sad to read that some journalists or critics try to sully his art these previous days by underlying his personal side.<br />
I think that writing about the fact that Arthur Gauguin left his wife and his five children to devote himself to his paintings does not really help to understand his art. I agree that he was certainly fiendish, that he slept with very young girls when living in Tahiti etc. But he also did magnificent portraits of these women. I don't want to be misunderstood. Of course, Arthur Gauguin could not be forgiven for some sexual deviations because he was a great artist. But his paintings should not be condemned because of these acts.<br />
I'm still astonished when I look at <i>Nevermore O Tahiti</i>. This woman lying naked has one of the most intense look I have ever seen in paintings !<br />
And this exhibit is not only about Tahiti. There are also a lot of his really beautiful Breton landscapes. These ones are not only my favorite because they are really well-painted or because of the subject. I love them because they express all the love Gauguin had for Brittany. He painted it not the way he saw it but the way he felt it. And his talent is actually the fact that we feel the same when watching them...<br />
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So here is my only piece of advice : go for it ! There are many things to tell about who was Gauguin and how he lived but there is even more to say about his paintings. And no one can pretend to really understand him without judging his personal life in the light of his works and <i>vice versa</i>.<br />
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<tr><td class="tr-caption" style="text-align: center;"><i>Nevermore O Tahiti</i></td></tr>
</tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitsOw5IXU0FQ2PUhv8gxCnI85gScTghYo4cXTAx-GKwm3j7oDZZ8w5PQLBYV_Z_gsIdOMJQAdbRXroBdTjCJTT8npyUhPYGp4d2_WFC9SpNZBSZqh0xVFjX_wpCRTbMM4WdLq4XccavabA/s1600/Paul-Gauguin-Nevermore.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0tag:blogger.com,1999:blog-5364332639345388474.post-53527437400648215212010-09-28T06:33:00.001-07:002010-10-26T09:01:59.858-07:00Murakami at the « Château de Versailles »<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVrQChrAH3DlV9jXE-oQONhlpE0ABQ8LtFAnBEwLDLZngrAtKYaYiB_hyphenhyphenGfuY7ZcOn9lP5Q9x1UYMt_fKkqQcu4KptXihFT3SOeSrKsTuCj8MTgxIfmp0f02Jsp4Tuq31sm6x3cjgF_tFM/s1600/Takashi-Murakami-Versailles-front.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVrQChrAH3DlV9jXE-oQONhlpE0ABQ8LtFAnBEwLDLZngrAtKYaYiB_hyphenhyphenGfuY7ZcOn9lP5Q9x1UYMt_fKkqQcu4KptXihFT3SOeSrKsTuCj8MTgxIfmp0f02Jsp4Tuq31sm6x3cjgF_tFM/s320/Takashi-Murakami-Versailles-front.jpg" width="320" /></a></div><style>
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<div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">The exhibition of the work of Murakami hosted by the Château de Versailles (Ile de France, in Paris’ suburbs), which consists of sculptures inspired by the <i>manga</i> culture, has brought with it much criticism and I think, many misunderstandings.</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">Some people, and amongst them some associations from the city of Versailles, (the Château being situated in that city’s heart), have explained that the exhibition - needless to say, contrasting with the dominant architectural style of the region and, predominantly of the Château itself, renowned for its flamboyant symmetrical attributes – was contrary to the culture and insulting to the environment in which it was hosted. I understand that royalists feel they have been invaded in what constitutes one of their country’s best source of income in the tourism industry, and a place which carries a very heavy symbol of their royal history. But is the exhibition <i>this</i> shocking ? Should it really be banned from « the castle » ?</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">What i think is almost shocking, is the lack of open-mindedness of some people. The Château de Versailles has already hosted a couple of exhibitions, namely one of Jeff Coons so why is this one lacking of warmth regarding its welcoming within the walls of the Château ? Maybe the fact that it’s inspired from the manga culture has <i>uninspired</i> some locals. But the exhibition is temporary anyway. What I personally like with this exhibition is the contrast it creates. The art itself does not naturally appeal to me, but the idea of penetrating the royal environment with manga characters is, to me, just exhilarating. Adding to that, when one takes a look at the different sculptures presented, none of them are truly shocking. And everyone knows the mangas can be very, very <i>un-presentable. </i>So in the end - and let me be clear, this is my own opinion - this exhibition is at worst amusing and surprising, and at best exhilarating and inspiring for someone enjoying the contrasts and provocations that art can create. </span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">It’s a little bit like watching Tarantino’s Kill Bill : prepare yourself to intertwine classy backgrounds with manga references or you might end up asking yourself what you’ve just seen.</span></div>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0tag:blogger.com,1999:blog-5364332639345388474.post-23471923100511093152010-09-15T06:06:00.000-07:002010-11-10T02:29:32.684-08:00Is Dior's Shanghai dreamers racist?<style>
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<div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">I’ve heard a lot of criticisms about the exhibition of Quentin Shih entitled Shanghai Dreamers. Most of them (if not all) were accusing him of racism. The reflexion, if reflexion there was, consisted in saying that because the Chinese people in the photographs were all similar and the only occidental was taller and dressed in fancy Dior cloths, then it could be considered that the artist wanted to demonstrate the superiority of the occidentals and their individualistic values over the subjugated Chinese people, oppressed and homogenised by the communist party. This interpretation led to people thinking the artist was patronising and racist towards the Chinese people. I even read someone claiming he was an American artist.</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZik6bQ7qPgeHfQzltDkqOilSV65Xh9uEOq_zZvU-ZviF9zMAV5ACGYEFljQkHTHYQPvmOlb1y9HPnKfvbOYr0veEZDqjQoFwbWFabguuquPf3BzalvHpQAS0fbkiwLvwvX6CBmcn4VJDR/s1600/Christian+Dior+Shanghai+Dreamers+15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZik6bQ7qPgeHfQzltDkqOilSV65Xh9uEOq_zZvU-ZviF9zMAV5ACGYEFljQkHTHYQPvmOlb1y9HPnKfvbOYr0veEZDqjQoFwbWFabguuquPf3BzalvHpQAS0fbkiwLvwvX6CBmcn4VJDR/s320/Christian+Dior+Shanghai+Dreamers+15.jpg" width="320" /></a></div><span lang="EN-GB">I would like to rectify a couple of things said recently :</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">First of all, although settled in New-York, Quentin Shih - who’s real name is Shi Xiaofan - is nonetheless Chinese and NOT American. This first rectification does not entirely undermine the legitimacy of the argument saying he is racist, but certainly weakens it. Also, I’d like to say that a deeper reflexion and deeper focus on Shih’s work would have been appreciated before the debate started. Only because there’s no reason to think this work of art is racist if one observes and thinks rationally for the following reasons :</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">How can the simple fact that a people is pictured as very homogenous be the reason to think the photographs are racist ? I think Quentin Shih simply wanted to put forward the great production of High standard clothing brought by occidentals, because let’s remember this was done in the context of the re-opening of a Dior Store in Shanghai...in other words, it can be considered advertising. Also it could be, and certainly is since Quentin Shih said it himself, that the photographs show the homogeneity of the Chinese people during the communist years, while comparing it to the individualism of some occidental countries.</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">This contrast shown in the photographs does not mean that the artist’s work constitutes a racist judgement, nor does it constitute the most un-insulting judgement. Why do people have to see a critical statement or a judgement in every work of art? It may just as well be an observation. That the observation is biased or not is another problem, but I think we should see Shih’s photographs as an (obviously) exaggerated observation, which is nevertheless quite true when one looks at China’s history (particularly in the 1960s-1980s).</span></div>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0tag:blogger.com,1999:blog-5364332639345388474.post-9775018708185710272010-09-02T06:35:00.000-07:002010-10-26T09:02:38.774-07:00Jimi Hendrix – London Exhibition<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPSPcE_hssqMqSoVS0peUH_XxUK9dw1hfUb7CYQ_L3H6IKafGSAq3EWuKU1dBzVj0TOXJFxNc_AG3Ck7HxrxCcvabsHl5t6CbtdRRgEB23TSY-Hb8vV-7Qy5BPd-enpig-U_k7uqIM_JP_/s1600/images2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPSPcE_hssqMqSoVS0peUH_XxUK9dw1hfUb7CYQ_L3H6IKafGSAq3EWuKU1dBzVj0TOXJFxNc_AG3Ck7HxrxCcvabsHl5t6CbtdRRgEB23TSY-Hb8vV-7Qy5BPd-enpig-U_k7uqIM_JP_/s1600/images2.jpg" /></a></div><style>
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<div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">There’s a nice exhibition in London, about late musician Jimi Hendrix, who died at the age of 27 in 1970. The commemoration his 40th death anniversary is taking place in the hotel where he lived during a year (1968-1969). You can visit the house between the 15th and 26th of September, and a larger exhibition composed of photographs, handwritten lyrics, cloths etc… is taking place in the house of 18th century composer George Handel, which is the house right next to Hendrix’ hotel room. Journalists say that Hendrix was interested in this geographic and neighbouring connection with Hendel, and bought all tracks he could find of Hendel as soon as he discovered the coincidence. I encourage you all to go and take a look at that exhibition for the unique aspect of it, since you get the chance to literally penetrate the late best-guitarist-on-earth’s house and discover a part of his life that was not known of the public. Hendrix was apparently not like the medias enjoyed to picture him. His sound manager Roger Mayer said he was friendly, quiet, calm and not overtly outgoing. He also said, to my surprise, that Jimi Hendrix was not stoned on drugs all the time like everyone seems to think: </span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div style="font-family: Arial,Helvetica,sans-serif; margin: 0.1pt 0cm 0.1pt 1cm;"><span lang="EN-GB" style="font-size: 12pt;">« "When I knew him he wasn't stoned all the time, which is what people think," he says.</span></div><div style="font-family: Arial,Helvetica,sans-serif; margin: 0.1pt 0cm 0.1pt 1cm;"><br />
</div><div style="font-family: Arial,Helvetica,sans-serif; margin: 0.1pt 0cm 0.1pt 1cm;"><span lang="EN-GB" style="font-size: 12pt;">« You can't play guitar to that standard on stage or in the studio if you're stoned on drugs. I've seen other people try but it doesn't work. » (bbc)</span></div><div style="font-family: Arial,Helvetica,sans-serif; margin: 0.1pt 0cm 0.1pt 1cm;"><br />
</div><div style="font-family: Arial,Helvetica,sans-serif; margin: 0.1pt 0cm;"><span lang="EN-GB" style="font-size: 12pt;">I think, if it is not too late, this exhibition is worth seeing. I’ve got to admit i didn’t know a lot about Hendrix, and this exhibition does make you want to get interested in the legend and the 1960s rock, Woodstock experience.</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
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</div>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0tag:blogger.com,1999:blog-5364332639345388474.post-7772651870237618152010-08-28T06:35:00.000-07:002010-10-26T09:03:12.636-07:00Blitz in London<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI8XEJt5fHuUkJ2ai04c31StheTYWUJVnU3rudJrulUrkZe8RMPqgzqWl5FNnYxojzbH0PV7o8OcJiZfVHtEPICgA-CMfL0OZ1DPyzGE1DUqa5WXrHy10wEU3HpVSCrBXAf7l9NvAkoKbn/s1600/images.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI8XEJt5fHuUkJ2ai04c31StheTYWUJVnU3rudJrulUrkZe8RMPqgzqWl5FNnYxojzbH0PV7o8OcJiZfVHtEPICgA-CMfL0OZ1DPyzGE1DUqa5WXrHy10wEU3HpVSCrBXAf7l9NvAkoKbn/s1600/images.jpg" /></a></div><style>
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<div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">Another exhibition is about to be showed in London, at the London Transport Museum. This one is a commemorative exhibition about the 70th anniversary of the Blitz in London. The Blitz was an aerial attack from the Luftwaffe, the German air force Under the Nazi regime. This attack was part of a plan initiated by Hitler, who wanted to invade Great Britain. A huge resistance to the attack by the British soldiers and citizens, and of course its royal air force, made Hitler back down and gave up his plan of invasion. </span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">Certainly a turning point of WWII, the Blitz, which is believed to have hardened the British resentment and hatred towards the Nazi regime, was a terrible shock for British citizens, especially in London and Coventry, the two main targets of the German bombers in 1940. The exhibition also puts forward the same atrocity inflicted on the German civilians of Dresden, by the bombers of the Allied Forces. This, I think is not surprising but greatly appreciated as a sign of recognition, sorrow and disenfranchisement from the past. It calls for a greater comprehension of the past of some countries: people should not hold grudges toward others for what their ancestors have done, something that certainly a lot of British people have trouble with putting in practice. As Robert Mac Namara said, and sorry if I don’t remember the exact quote, <i>if the allied forces had lost the war, they would have been judged, and rightly so, as war criminals</i>. Of course nothing can excuse and counter-balance the Shoah inflicted on Jews and other minorities by the Nazi administration, but Dresden is another example showing how everyone can be held as responsible for the atrocities of war, not mentioning the US atomic bombs on Hiroshima and Nagasaki…</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB">Anyway, a good exhibition to reflect the reasons to commemorate the shallow past of Britain and Europe to a larger extent.</span></div>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0tag:blogger.com,1999:blog-5364332639345388474.post-20100929556151804132010-08-05T06:35:00.000-07:002010-10-26T09:02:53.599-07:00Naked Boys with Guns – Sean O’Carroll<style>
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<div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><span lang="EN-GB">An exhibition by Australian photographer Sean O’Carroll sparked a polemic from a part of the public because some of his photographs presented boys naked - or admittedly so – and holding guns. The photographs show the boys only from the waist and upwards, so nothing too intense is shown to the public, and the guns they are holding are obviously fake, although they don’t exactly look like toys but rather like, at worst, replicas. </span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><span lang="EN-GB">I am personally not really appealed by this kind of art, but the debate around it can get interesting, although there are, and not to my surprise, still some useless points made by, notably, furious Australian caring mothers. The core of the art presented is not extremely interesting but to the contrary, the message it could carry can be :</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; margin: 0.1pt 0cm 0.1pt 1cm; text-align: justify;"><i><span lang="EN-GB">« Sean says he is asking a question with these photos. He wants to get people thinking about young boys and masculinity and the messages about masculinity in society.</span></i></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; margin-left: 1cm; text-align: justify;"><i><span lang="EN-GB">He asks ‘’What does this say about how we raise boys?’’ »</span></i><i><span lang="EN-GB"></span></i></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEJZYCuoswlfsOodl6kcduUEJVZk621HeVUmNQmxR35rqAxmNOkh2561HDn6mR4l0avwlPqP8Eluo3DM11PiZWJ-_g-KTuHLC9WUVlrXzq2d-89qm3TxUjOho5iuLSQzSNmRVBtAX82VFh/s1600/images3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="145" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEJZYCuoswlfsOodl6kcduUEJVZk621HeVUmNQmxR35rqAxmNOkh2561HDn6mR4l0avwlPqP8Eluo3DM11PiZWJ-_g-KTuHLC9WUVlrXzq2d-89qm3TxUjOho5iuLSQzSNmRVBtAX82VFh/s320/images3.jpg" width="320" /></a></div><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><span lang="EN-GB">I read one of the mothers’ comment on a forum saying, ‘My sons played with toy guns from 3yrs of age’, and carries on commenting about how her other boy drew a gun in his hand in kindergarten drawing class, concluding that boys don’t need to be told that guns are good toys, that they are naturally attracted to them. Surprisingly, this is the type of comment I was referring to earlier but which can however lead to an interesting debate. </span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><span lang="EN-GB">First I don’t believe at all, that kids, and especially boys, are attracted to guns from the moment of their birth ‘til the moment of their death. What makes them attracted to them is the simple fact that society builds up boys to be attracted to guns and girls to be attracted to <i>barbies</i>. Just as the simple fact that there are approximately 90% chances that you will also dress your baby-boy with blue and dress your baby-girl with pink. Generally speaking of course. This is not a pathetic attempt to judgemental statements towards the <i>vicious leading forces of society</i>. What I am saying is that society is like that whether we like it or not. In this perspective, Sean O’Carroll’s photographs can be interesting, although it might just be as effective and convenient to just ask the question directly instead of staging naked kids in a photograph studio in Melbourne. This is certainly a provocative mechanism to advertise his exhibition, in which case it can be considered clever.</span></div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><br />
</div><div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"><span lang="EN-GB">Despite the interesting debate it initiates, if the only intrinsic value of his work is the provocative nature of it, it couldn’t really be called art could it ?</span></div><div class="MsoNormal" style="text-align: justify;"><br />
</div>Surraya Ahmedhttp://www.blogger.com/profile/11377467321513745788noreply@blogger.com0